The House of Bernarda Alba Essay Example For Students

The House of Bernarda Alba Essay Choose a character in your prescribed text that you would consider to be manipulative and/or controlling. Give reasons for your choice. As an actor how would you perform this role?  The House of Bernarda Alba is a play written by Frederico Garcia Lorca. It is set in Spain in the 1930s. The play is about a family living a very male dominated, rual area. The family with 5 daughters have just lost there Father who was a Husband to Bernarda, an evil and bossy woman. Angusius who is the eldest daughter of 39 has a different Father from her other sisters. When he dies, she inherits a large amount of money however the other girls inherit very little from their Father; Bernardas second Husband. The attractive Pepe El Romano is drawn to the money of Angustius and asks her to marry him even though she is ugly. Adela, being the youngest and most attractive daughter jumps at the fact an attractive man will be around the house a lot and the two have a secret affair. The play revolves around this with tension building until Adela kills herself. Bernarda Alba is a woman of High class and considers herself to be better than anyone else. She is a manipulative and controlling woman and most people, for example the Maid and Ponicia agree with this. We first hear about Bernarda in a conversation between Poncia and the Maid when Poncia says that she is a Bossy Tyrant. The first impression we get of Bernarda is scary. We are told that she could sit on your heart and watch you die for a year without taking that cold smile off her damn face. At this point, the audience are not only worried about meeting this character but absolutely terrified as they know how evil she actually is. Bernarda is able to create tension in the audience as her character is so strong and people are afraid of her. When she first enters the stage tension is extremely high. She enters on a cane in centre stage so already all the attention is on her. As an actor I would use a long silence between her entrance and first line to build up climax and make the audience very nervous. When Bernarda finally speaks I would use a loud volume and superior tone. This would emphasise to the other characters an the audience that she is the boss. Silence is her first word and also her last so it has particularly strong meaning. Having five daughters is something Bernarda takes advantage of as she is able to control them against having a boyfriend. She forbids them to sleep with men unless they are to be married. If they disobey her she shows cruelty by striking them with her cane or shouting abuse at them. A good example of Bernardas controlling nature is when Angustius does not answer her properly when she asked a question. Bernarda replies with You weakling! Your sickening and hits her with her cane. At this point, to built the ultimate tension I would be using angry facial expressions and tense my body up to show how furious Bernarda really was. To create mood and atmosphere I would use direct eye contact with Angusius to intimidate her and make her feel uneasy. I consider Bernardas movement to be particularly important in many scenes of the play. For example a scence where Bernarda and her Mother, Maria Josefa, who she locks in a room and pays no attention to her whatsoever. Again, when the audience realise this, further tension is built as the audience are in shock over how Bernarda treats her own Mother. Posture and facial expressions are two naturalistic ways I would express the relationship between Bernarda and Maria Josefa. When Bernarda tells the Maid lock her up!, as an actor I would use a tall, high standing posture to emphasise how high above everyone else Bernarda thinks she is. .u39c21ca0b3c73f9c7d7d207a1627e53c , .u39c21ca0b3c73f9c7d7d207a1627e53c .postImageUrl , .u39c21ca0b3c73f9c7d7d207a1627e53c .centered-text-area { min-height: 80px; position: relative; } .u39c21ca0b3c73f9c7d7d207a1627e53c , .u39c21ca0b3c73f9c7d7d207a1627e53c:hover , .u39c21ca0b3c73f9c7d7d207a1627e53c:visited , .u39c21ca0b3c73f9c7d7d207a1627e53c:active { border:0!important; } .u39c21ca0b3c73f9c7d7d207a1627e53c .clearfix:after { content: ""; display: table; clear: both; } .u39c21ca0b3c73f9c7d7d207a1627e53c { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u39c21ca0b3c73f9c7d7d207a1627e53c:active , .u39c21ca0b3c73f9c7d7d207a1627e53c:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u39c21ca0b3c73f9c7d7d207a1627e53c .centered-text-area { width: 100%; position: relative ; } .u39c21ca0b3c73f9c7d7d207a1627e53c .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u39c21ca0b3c73f9c7d7d207a1627e53c .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u39c21ca0b3c73f9c7d7d207a1627e53c .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u39c21ca0b3c73f9c7d7d207a1627e53c:hover .ctaButton { background-color: #34495E!important; } .u39c21ca0b3c73f9c7d7d207a1627e53c .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u39c21ca0b3c73f9c7d7d207a1627e53c .u39c21ca0b3c73f9c7d7d207a1627e53c-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u39c21ca0b3c73f9c7d7d207a1627e53c:after { content: ""; display: block; clear: both; } READ: Apocalypse Now And Heart Of Darkness EssayIf Bernarda thinks it is alright to lock her Mother away then she must be extremely inconsiderate. Facial expressions are important to show Bernardas feelings and emotions. As an actor, to show these clearly I would use rolling eyes so the audience see how Bernarda thinks her Mother is being pathetic. Turning Bernardas head away from the situation may communicate the message of heartlessness to the audience which is exactly the mood and atmosphere needed for this particular scene. Here, I would use the whole stage so the Maid knows who is in control and knows not to disobey her.  To conclude, Bernardas movement and voice are very important to create maximum tension in the audience. Mood and atmosphere is essential and can be achieved through many techniques to prove what an evil person Bernarda is.